James Joyces Araby - The Ironic Narrator of Araby Essay -- Joyce Dubl

The Ironic Narrator of  Araby    Although James Joyces story Araby is told from the first per-son sales booth of its young protagonist, we do not receive the impression that a boy tells the story. Instead, the narrator seems to be a man matured well beyond the get laid of the story. The mature man reminisces about his youthful hopes, desires, and frustrations. More than if a boys mind had reconstructed the events of the story for us, this particular way of telling the story enables us to get the picture clearly the torment youth experiences when ideals, concerning both sacred and earthly love, are destroyed by a suddenly unclouded view of the substantial world. Because the man, sort of than the boy, recounts the experience, an ironic view can be presented of the institutions and persons surrounding the boy. This ironic view would be impossible for the immature, emotionally involved mind of the boy himself. Only an big(p) looking back at the high hopes of foolish bl ood and its resultant destruction could account for the ironic viewpoint. Throughout the story, however, the narrator consistently maintains a skillful sensitivity to his youthful anguish. From first to last we sense the reality to him of his earlier idealistic dream of beauty. The opening paragraph, setting the scene, prepares us for the view we receive of the remainder between the loveliness of the ideal and the drabness of the actual. Descri... ...rious wares, is tended by uncaring people who leave him even more alone than he had been before the young chick who should have waited on him ignores him to joke with two young men. The young ladys inane remarks to the young men have a ring in the memory of the mature narrator reminiscent of his adored ones remarks. Both are concerned with the material, the crass. The narrator can, with his backward look, supply us with two apprehensions one, the fully remembered, and and then fully felt, anguish of a too sudden realization of the disparity between a youthful dream of the mystic beauty of the world and his actual world and two, the irony implicit in a view that can see the dream itself as a vanity.